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“The Spree Saga” (the making of “Kindergarten Crime Spree,” Pts. 1 & 2)Saturday, January 30. 2010Welcome, puzzle fans! And let me get right to it -- making this week’s and last week’s kindergarten puzzles was different from every puzzlemaking experience I’ve ever had. In fact, it marked several firsts for me. I’ve made “story puzzles” before, where a narrative of some sort runs through a puzzle, but I’ve never made two such puzzles back to back, where the second one was the sequel to the first. And I’ve had theme ideas that I’ve held onto for a long time, sometimes 15 years, until the right moment arose to make puzzles out of them, but I’ve never spent two years working on a single idea -- until now. In fact, making the two “Kindergarten Crime Spree” puzzles was so different that I thought I’d write an extended piece about what it was like and why it took so long. Warning: I give away all the key answers in the piece, so if you haven’t solved the puzzles yet but plan to, stop reading this and solve the darn things! (Just go back to the sundaycrosswords.com homepage and follow the links.) But if you’d rather plunge into the “Spree Saga” right now...
Continue reading "“The Spree Saga” (the making of “Kindergarten Crime Spree,” Pts. 1 & 2)" Kindergarten Crime Spree (Part 1) - IntroductionSaturday, January 23. 2010I’m doing something a little different this week and next week that I can’t recall having seen before -- not that it’s never been done; I just can’t recall it -- a puzzle with a sequel. This week’s puzzle (January 24) is called “Kindergarten Crime Spree (Part 1)” and tells one-half of what transpired recently in Mrs. Ladey’s kindergarten class, and next week’s puzzle (January 31) continues the story, reaching a shattering conclusion (in other words, some crying) and a very unusual denouement. I recommend solving both puzzles from the top down -- you know what they say about learning too much too fast! Actually, they never say that, but just play along and nobody’ll get hurt. Or words to that effect. On the interactive version (at www.sundaycrosswords.com) we have the theme clues in bold, so following the story should be as easy as ABC (sorry ... kindergarten humor). Oh, and did I mention that these two puzzles took a looong time to make? I’ll have a whole separate blog about that next week -- how the whole idea came about -- after everything is revealed in Part 2. If you have any questions, ask away in the Comment section below. Until then, happy sleuthing! --MR Pet Peeve No. 1Saturday, January 16. 2010This week’s puzzle, “Just Add Sugar,” is pretty straightforward as puzzles of mine go, so I’m not sure there’s any earthshaking need to say much about it -- which is just as well since I’ll probably have more than the usual amount to say about my next two puzzles (for January 24 and 31). I won’t say much about those now, but since I seem to have nothing to say about specific puzzles this week, maybe it’s a good time to mention a pet peeve of mine that I see more often than I’d like in today’s crosswords. It’s something I’m tempted to call a “flansir,” which stands for “familiar looking although never seen in reality” (pronounced “flancer,” let’s say). I tend to differentiate this from a traditional “crosswordese” word, which is generally a short, obscure word that occurs often in puzzles because of its handy letter combinations, like ERN(E), ODA(H), and PROA. And one reason that these words have truly earned their crosswordese badges is because there’s no way to know what they mean simply by looking at them. However, they do exist in the real world, outside of puzzles. If you were online doing research on a sea eagle or a harem room or a Malayan canoe, you would probably come across these words. Odd as they are, they are the actual terms for these unusual things. A flansir, though, not only is something that occurs only in crosswords, it virtually never occurs outside of crosswords -- it’s an entirely crosswordcentric thing. A perfect example is IDEATE, which occurs quite a lot in medium-to-difficult crosswords. It’s often clued as “conceive” or “brainstorm” or some such -- as if IDEATE were a routine synonym for those two words, and yet I have never said it or used it myself, I have never heard anyone else say it, and I have never read any newspaper, book, or magazine passage that contains it. This is not to say that it can’t be found somewhere online, but in normal everyday life -- which is where flansirs are implied to exist -- have you ever heard anyone say anything like, “We’re meeting the client on Monday morning so we have only two days to ideate on our presentation”? Another example is ACERB, routinely clued as “sharp” or “bitter.” Since when? ACERBIC, yes. ACERB, no. As far as I can tell, it’s a poetic term, like ETERNE. I’m not saying it shouldn’t be used in puzzles, but as Judge Judy says, don’t pee down my leg and tell me it’s raining. Use it, but call it what it is, “Bitter, to a poet.” Here’s another one, IRANI. Shows up in puzzles constantly. Yes, it’s a legit dictionary variant of IRANIAN, but where in any American media does it appear? Is it standard fare in crosswords because IRAQI is spelled that way? Again, we all obviously know what it means but it seems to live only in crosswords and not in our daily world. All of this has the effect of making crosswords less connected to the real world and as many of my puzzle friends know I am a firm believer in keeping crosswords as connected to reality as possible. And by the way, if any of you have a better word for it than “flansir,” let me know! Here’s my list so far: Now to be honest, I can’t say that I lack fondness for some of these words. In my career I’ve probably used most of them, and I’m not saying that all of them should be thrown out the window (although if I never see EFS again it’ll be too soon). But I do think that if they’re going to be used at all they should be clued more precisely and in a manner more befitting what they are -- strange words rarely seen or heard in the real world.
FLANSIR UPDATE -- February 1, 2010 What a great group of flansir opiners! (Hmm, maybe that’s another one.) Let me try responding a bit. Joon -- I might rethink APACE, since I do say it jocularly myself. AMAIN, I think, will probably stay. And I just saw another one in a puzzle this past weekend that has to be on the list -- ALOP, clued as “crooked.” Actually, it’s pretty awful no matter how it’s clued, but it’s every inch a flansir. Paul -- The best thing I can say about ALer and NLer is that they are certainly not unknown in baseball circles, but their actual “commonness” seems to be overstated. My problem is not so much that I see them in puzzles but that I see them in puzzles a lot. Remember ALAR, the crosswordese word meaning “of insect wings”? Well, ALer is the new ALAR. And that's another issue -- in real life, ALer is written upper-lowercase, so that readers at least have a shot at understanding what it is. But in crosswords it’s written in all caps, ALER, and just looks like an odd, pronounceable word that rhymes with “paler.” Worse, it’s usually clued obtusely, like “O or Jay,” as if most solvers were ardent baseball fans. I know that there are lots of female sports fans out there but from my experience the vast majority of women solvers are not. Sports references in general leave most female solvers in the lurch, but insider sports references leave them irritated. Ken -- I think N-TEST is legit, but the only place I used to see it was in headlines, so maybe it should be clued primarily in that context and not just as any nuclear test. Andrew -- Even if “ush” were clued as campus slang or some such, it’s still a pretty weird word -- and kinda hard to defend to most solvers. I think PuzzleGirl is right on this one. Gene -- ASEA is almost a perfect flansir -- hardly anyone in the puzzle world bats an eye at it (and I don’t really mind it that much) yet virtually no dictionary contains it! AT SEA, yes, ASEA, no. My gigantic Webster’s Third New International has it, but only hyphenated. As to pluralized music notes, I grant that they have a life in certain specialized music contexts, but I’m guessing that they’re rarely if ever written down, and that’s why they strike me as so odd-looking in puzzles. Cluing DOS, RES, MIS, and TIS as music notes when they can be clued in so many other ways just seems like needless flansirism! And I looked up some stats on EERY and since the year 2000 it has almost always been clued with the “variant” indicator, which is good. But I put it in the same boat with IGLU, variants to avoid like the plague! More updates to follow as the flansir story, fast-breaking, unfolds ... About This Week’s Puzzle -- “Right on Cue”Sunday, January 10. 2010(Warning -- The following gives away lots of info about this week’s puzzle, “Right on Cue,” so if you haven’t solved it yet, you better do it before reading any further!) This is probably a good puzzle to write my very first “commentary” on because it touches on a lot of the things I try to do in a crossword -- not always successfully, but I try -- and in this puzzle I was about 85 per cent successful, which is pretty good for me. Since Q’s don’t appear too often in crosswords I thought it might be interesting to give them their own starring role, but in sort of a tricky way. The idea would be that whenever a Q appeared it would be a real letter Q in one direction but the sound of a Q (as in “cue”) in the other direction. Thus, you could have an answer like HER-Q-LES crossing QUID (as it actually does in the puzzle) but you could never have Q-PID crossing Q-CUMBER, since that would be two sound Q’s crossing each other, or SQUAT crossing PIQUE, because that would be two letter Q’s crossing. (Come to think of it, “Sound Cues” would be a better title for this puzzle!) To always have it one of each seemed more fair to the solver and also more elegant as a rule of construction. (And even though this might be tricky in the context of a crossword theme it’s pretty common in the real world, especially on store signs and license plates -- BAR-B-Q and Q-T PIE, for example. And I’m sort of big on “organic” themes that have some connection to the real world.) When thinking of theme answers, I find (as most constructors do, I’m sure) that two or three of the answers often stand out from the rest -- they're more natural, or more current, or funnier, or trickier or whatever the case may be, but in essence, they're more distinctive in some way than the others -- so since solvers generally work from the top of the puzzle downward I usually save these “best” theme answers for last, as sort of a punchline or climax. This is not always possible but I always try for it, and in this case I had two possible finishers -- POR-Q-PINE QUILL, because it was the only theme answer containing two Q’s, and THAN-Q VERY MUCH. But the latter seemed more of a closing answer, as if someone had just finished a song, so that became the final theme answer in the lower right, and POR-Q-PINE QUILL, which is the same length (a lucky break that rarely happens) became the very first theme answer in the upper left. And for me, knowing how a puzzle starts and ends is a huge, huge weight off my shoulders. Did I mention the word “huge”? So now the question was, how many Q words could I work into the grid without sacrificing the fill (that is, the incidental words). Well, I did have to trade off a little bit -- there are about 10 fill answers that I’m pretty unthrilled about, but allowing these less-than-great small words enabled 15 very good Q answers to get into the grid, many of them stacked next to each other or just one row apart. To get that many Q answers to coexist so close to each other meant that vowels -- and especially U’s -- had to appear in exactly the right spots and really often. So it wasn’t easy, but hey, what’s a few brain cells among friends? Oh, and to Elvis Presley, in honor of his 75th birthday -- and the fact that it occurred the same week that this puzzle ran -- I’d like to express a heartfelt THAN-Q, THAN-Q VERY MUCH.
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